
- short mic stand
- Sennheiser e602
/me :grins_bigly:, and can't wait for the end of the workday to give this thing a try

Wouldn't you rather have some sound clips instead of crappy cell-phone photos anyway?
Yup. It just depends on the mix, the room, what kind of drum presence you want, etc. There is no right or wrong way.Tadpui wrote: βThu Feb 07, 2019 2:04 am Sweetwater boxes on the porch are always a good thing!
Agreed, let's hear more spot mic and less overhead.
I'm actually a little curious how others do it...I always start with the spot mics, then bring up the overheads to taste. But I've read numerous accounts of people vigorously asserting that you should bring up the overheads first, then bring in the spot mics to taste. I guess it depends on whether you want a more in-your-face sound (more spot mics) or a more roomy natural sound (more overheads and/or room mics).
Yes, I'm very pleased with this purchase (and even better that it was on sale for ~$60 off the regular price). The mic stand, however, is not great. I cheaped out and got the "On Stage" brand. The materials are good enough quality, but the fittings are all flimsy and ill-fitting. I have a guitar stand or two by that manufacturer which work ok, but then again, guitar stands have no moving or complex adjustable/clamping parts.
I've been playing with a Behringer UMC404HD lately. It's got 4 inputs/preamps and 4 (seemingly useless) outputs. For $150 it's actually not a bad deal at all. Sounds good, drivers are fast enough. Although I think that as soon as you get a 4-mic setup going, you'll be itching to spot-mic the toms. Maybe plan ahead and get an 8-input interface insteadSweetDan wrote: βThu Feb 07, 2019 10:48 am Yes, I'm very pleased with this purchase (and even better that it was on sale for ~$60 off the regular price). The mic stand, however, is not great. I cheaped out and got the "On Stage" brand. The materials are good enough quality, but the fittings are all flimsy and ill-fitting. I have a guitar stand or two by that manufacturer which work ok, but then again, guitar stands have no moving or complex adjustable/clamping parts.
Re: the overheads vs. the spot "mics", perhaps I was unclear when I described my set-up. I have this nice new mic, and a selection of others, but only 2 mic pre's on my interface. So I've got an LDC overhead, and the kick drum mic.
So of course, the next item to go on the wish-list is a 4-(or more)-channel interface. And a couple of SDCs. And I'll need at least one more mic stand too. (Bye bye, new year's resolution to not blow out the discretionary funds bucket in the budget...)